This article analyzes the issues of choreographic thinking that arise in the process of presenting national dances on stage. National dances are an art form that reflects a nation’s cultural heritage, and during their stage adaptation, aspects such as artistry, imagery, historicity, and aesthetic harmony play a crucial role. Choreographic thinking serves to integrate these elements into a unified conceptual framework. The article discusses the challenges encountered in staging national dances, examines their causes and offers possible solutions, along with relevant suggestions to improve the process.
This article analyzes the issues of choreographic thinking that arise in the process of presenting national dances on stage. National dances are an art form that reflects a nation’s cultural heritage, and during their stage adaptation, aspects such as artistry, imagery, historicity, and aesthetic harmony play a crucial role. Choreographic thinking serves to integrate these elements into a unified conceptual framework. The article discusses the challenges encountered in staging national dances, examines their causes and offers possible solutions, along with relevant suggestions to improve the process.
| № | Muallifning F.I.Sh. | Lavozimi | Tashkilot nomi |
|---|---|---|---|
| 1 | Saparbaev A.. | student | Nukus Branch of the UzbekistanState Institute of Arts and Culture |
| № | Havola nomi |
|---|---|
| 1 | 1.Sayitova, E., & Abraykulova, N. (2015). Fundamentals of Choreography and Dance Art. Tashkent. p. 11.2.Avdeyeva, L. (1960). Dance Art of Uzbekistan. Tashkent:State Publishing House of Fiction.3.Theory of Recent Scientific Research, Vol. 7, Issue 7, Republican Scientific-Methodological Journal, July 13, 2024, p. 94. |