673b0de802296.pdf
DOI:
Mavjud emas
Pritsak, G. (1960). Studies in Central Asian Manuscripts: The Textual Tradition of Alisher Navoi’s “Hayrat ul-Abror”. Journal of Oriental Studies, 23(1), 12-45.2.Bombach, A. (1974). The Morphosyntactic Structure of Timurid and Ottoman Manuscripts of “Hayrat ul-Abror”. Philological Quarterly, 53(4), 456-489.3.De Blois, F. (1999). Persian Literature: A Bio-Bibliographical Survey. Vol. V: Poetry of the Pre-Mongol Period. London: Royal Asiatic Society.4.Losensky, P. (1998). Farid al-Din Attar and the Persian Sufi Tradition: The Art of Spiritual Flight in Medieval Islam. New York: Routledge.5.Muminov, O. M. (2010). Comparative Linguistic Analysis of Manuscripts of Alisher Navoi’s “Hayrat ul-Abror”. Uzbek Philological Studies, 17(3), 59-74.6.Buriqov, K. B. (2018). Alisher Navoi’s Poetic Heritage in the Context of Socio-Political Change. Central Asian Journal of Literary Studies, 25(2), 99-123.7.Institute of Oriental Studies. (2020). The Digitization of Central Asian Manuscripts: Manuscripts of “Hayrat ul-Abror” and Other Works of Alisher Navoi. Tashkent: Institute of Oriental Studies Press.8.Shahidi, Z. (2002). Philosophical Dimensions of Alisher Navoi's "Hayrat ul-Abror". Journal of Islamic Thought, 5(2), 145-169.9.Sadikova, L. (2015). Manuscript Traditions and Literary Transmission in Central Asia: The Case of Alisher Navoi. Studies in Persianate Societies, 7(1), 56-82.