This article analyzes the issues of choreographic thinking that arise in the process of presenting national dances on stage. National dances are an art form that reflects a nation’s cultural heritage, and during their stage adaptation, aspects such as artistry, imagery, historicity, and aesthetic harmony play a crucial role. Choreographic thinking serves to integrate these elements into a unified conceptual framework. The article discusses the challenges encountered in staging national dances, examines their causes and offers possible solutions, along with relevant suggestions to improve the process.