In this article, the role of Alisher Navoi's kit’as in the development of the continental genre and the question of their contribution to the improvement of this genre, the reflection of spiritual and moral views in Navoi's kit’as, in particular, the human identity and spirituality in the works, attention is paid to aspects such as the reflection of the expression of moral views. In addition, there is talk about the depth of content and the philosophies of the edges of meaning in Navoi texts. In the article, the kit’a genre has a special place among the genres of Uzbek classical poetry, the problem of the theory and poetics of the qit’a, the lack of a complete research on the history of the origin of the genre, the scope of the kit’a genre, the continental framework problems such as poetic images, use of poetic arts in kit’as, classical Uzbek kit’a writing and the state of modern Uzbek kit’a writing are discussed. The types of the poem and its content, the specific methods of poets, especially Alisher Navoi, in creating the poem were studied in the article. Issues of kit’a poetics, such as rhyming, the skill of using artistic image tools, were also studied. It is thought that the poem occupies a great place in the classical Uzbek poetry with the power of Hazrat Navoi's pen, and that there are 210 verses consisting of 503 verses in "Khazoyinul-maoni" written by Navoi. The importance was paid to concepts such as humanity, conditions of spiritual perfection, and avoidance of bad vices in many continents of Alisher Navoi. By commenting on certain continents, we focused on the human and moral views of the great poet, thereby trying to understand his worldview