logo
calendar3 Oktabr 2022
view29
Main language:Uzbek

ON THE QUESTION OF THE PERFORMERS OF ULANS

Field of Science:
pdf

636257959d9d3.pdf

PDF

Scientific Reports of Fergana State University

Scientific Reports of Fergana State University

Publish Articlesee more

ARTICLE ANNOTATION

quote
It is known that the Ulan genre has been given various definitions, descriptions and classifications. What do the creators and performers themselves think about this? What is the purpose of their creation? What is the reason that they remain in memory for a long time, and have always been of interest to the audience of listeners? This article attempts to find answers to these questions. In general, the needs of lancers in the work of lancers, the factors of the emergence of lancers, their definitions are discussed and classified. In order to achieve deeper scientific observations and their results, the study studied the method of comparative typological analysis as follows: 1) traditionality; 2) eranian patronage; 3) administrative disobedience; 4) motivational character; 5) financial incentive; 6) spiritual stimulus; 7) compensation for defeat; 8) execution regulations; 9) has been classified as a meditative remedy.

AUTHORS

SH.Turg'unov

Andijan State University

Tags

# традиция# tradition# an’anaviylik# o‘lan# harbadosh# eranlar homiyligi# gerental to‘siqsizlik# motivatsion xossa# moddiy rag‘bat# ma’naviy rag‘bat# mag‘lubiyat tovoni# ijro reglamenti# улан# харбадош# покровительство иранцев# герентальный барьер# мотивационный характер# материальный стимул# духовный стимул# пята поражения# исполнительная регуляция# lancers# kharbadosh# eranian patronage# herental barrier# motivational character# material stimulus# spiritual stimulus# heel of defeat# executive regulation

OTHER ARTICLES IN THIS JOURNAL

Rate Article

0
0 ratings
5
4
3
2
1

Article Identifiers

ROI:

https://eroi.uz/11.0106/A1022-0017

DOI:

Not Available

References

1. Alaviya M. O‘zbek xalq marosim qo‘shiqlari. – Toshkent: Fan, 1974.( Alaviya M. Uzbek folk ritual songs. - Tashkent: Fan, 1974.)

2. Yormatov I. Yuqori Ohangaronning tabiati, tarixi va madaniyati (tabiiy-geografik va tarixiy-etnografik ocherk). –Toshkent: Alisher Navoiy nomidagi O‘zbekiston Milliy kutubxonasi nashriyoti, 2008.– B.118.( Yormatov I. Nature, history and culture of Upper Ohangaron (natural-geographic and historical-ethnographic essay). -Tashkent: Publishing House of the National Library of Uzbekistan named after Alisher Navoi, 2008.- P.118.)

3. Imomnazarova Sh. O‘lan janri poetikasi (o‘ziga xos xususiyatlari, genezisi va badiiyati). – Toshkent: Firdavs-shoh, 2021. –B.36.( Imamnazarova Sh. Olan genre poetics (specific features, genesis and artistry). - Tashkent: Firdavs-shah, 2021. - P.36.)

4. Mirzaliev U. Tangriga yaqin maskan. –Toshkent: Navro‘z nashriyoti. 2018.–B.55 (Mirzaliev U. A place close to God. -Tashkent: Navruz publishing house. 2018.–P.55)

5. “O‘lan aytsang beri kel, aynam-ov” (o‘lanlar). // O‘zbek xalq ijodi yodgorliklari. J.26. – Toshkent: G‘afur G‘ulom nomidagi nashriyot-matbaa ijodiy uyi, 2020. ("O‘lan aytsang beri kel, aynam-ov" (Olans). // Monuments of Uzbek folk art. V.26. - Tashkent: Publishing house named after Gafur Gulam, 2020.)