Meanings exist in every human mind, but the methods of expressing and conveying them vary. There are abstract, figurative, or verbal methods, and others that are realistic, stereotypical, or neutral. There are profound and superficial methods. The more skillful a speaker is in conveying meaning, the more skillful and powerful he becomes in using figurative or verbal images appropriate to the situation. This is the pinnacle and culmination of eloquence. Our article discusses the eloquence of figurative images as part of the three components of rhetoric, which include the sciences of rhetoric, semantics, and poetics, focusing on the value of imaginative images in Arabic literature in general, and their value in conveying meaning in particular.
Meanings exist in every human mind, but the methods of expressing and conveying them vary. There are abstract, figurative, or verbal methods, and others that are realistic, stereotypical, or neutral. There are profound and superficial methods. The more skillful a speaker is in conveying meaning, the more skillful and powerful he becomes in using figurative or verbal images appropriate to the situation. This is the pinnacle and culmination of eloquence. Our article discusses the eloquence of figurative images as part of the three components of rhetoric, which include the sciences of rhetoric, semantics, and poetics, focusing on the value of imaginative images in Arabic literature in general, and their value in conveying meaning in particular.
Ma’nolar har bir inson ongida mavjud, biroq ularni ifodalash va yetkazish usullari turlicha bo‘lishi mumkin. Ba’zi usullar mavhum, badiiy yoki og‘zaki bo‘lsa, boshqalari realistik, andaviy yoki betaraf bo‘lishi mumkin. Shuningdek, chuqur va yuzaki ifoda usullari ham mavjud. Nutq egasi ma’noni qanchalik mohirlik bilan yetkazsa, u shunchalik mahoratli va kuchli bo‘lib, vaziyatga mos badiiy yoki og‘zaki tasvirlardan foydalanishda ham shunchalik ustun bo‘ladi. Bu notiqlikning eng yuqori cho‘qqisi va mukammalligi hisoblanadi. Maqolamizda badiiy tasvirlarning notiqlikdagi o‘rni muhokama qilinadi. Bu tasvirlar nutq san’atining uch asosiy tarkibiy qismi – balog‘at, ma’no va poetika ilmlarining bir qismi sifatida ko‘rib chiqiladi. Shu bilan birga, arab adabiyotida tasavvuriy tasvirlarning umumiy ahamiyati va ayniqsa, ma’noni yetkazishdagi roli tahlil qilinadi.
Значения существуют в сознании каждого человека, но методы их выражения и передачи различаются. Существуют абстрактные, образные или вербальные методы, а также другие, которые являются реалистичными, стереотипными или нейтральными. Существуют глубокие и поверхностные методы. Чем более искусен оратор в передаче смысла, тем более искусным и сильным он становится в использовании образных или вербальных образов, соответствующих ситуации. Это вершина и кульминация красноречия. В нашей статье рассматривается красноречие образных образов как часть трех компонентов риторики, которые включают науки риторики, семантики и поэтики, уделяя особое внимание значению образных образов в арабской литературе в целом и их значению в передаче смысла в частности.
| № | Author name | position | Name of organisation |
|---|---|---|---|
| 1 | El Deeb H.. | Katta o‘qituvchi | Toshkent Davlat Sharqshunoslik Universiteti |
| № | Name of reference |
|---|---|
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