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Mazkur maqolada zamonaviy arab hikoyanavisligida inson ruhiyati tasvirining badiiy inʻikosi bayon qilinadi.  Bunda zamonoviy arab yozuvchilaridan Fuad at-Tekerlining “Nomaʻlum pichirlash”, Muhsin Yusufning “Azob”,  Zakariya Tamerning “Qamoq” hikoyalari tahlilga tortilgan. Tahlil jarayonida mazkur yozuvchilarining hikoyalaridagi inson ruhiyati tasviridagi badiiy mahorati, uslubiy qirralari,badiiy usullari tadqiq qilingan.

  • Read count 7
  • Date of publication 10-03-2025
  • Main LanguageO'zbek
  • Pages48-55
English

This article reveals the artistic techniques of the human psychological state image in the modern Arabic short stories. To this end, a number of works of modern Arab writers such as Fouad al-Tekerli "Unknown wisper", Muhsin Yusuf "Sadness" as well as Zakaria Tamer "Prison" were selected. In the process of analysis the artistic skills features of psychological analysis of human state and styles verges of these writers have been studied and the means of artistic expression in the short stories have been reviewed.

Ўзбек

Mazkur maqolada zamonaviy arab hikoyanavisligida inson ruhiyati tasvirining badiiy inʻikosi bayon qilinadi.  Bunda zamonoviy arab yozuvchilaridan Fuad at-Tekerlining “Nomaʻlum pichirlash”, Muhsin Yusufning “Azob”,  Zakariya Tamerning “Qamoq” hikoyalari tahlilga tortilgan. Tahlil jarayonida mazkur yozuvchilarining hikoyalaridagi inson ruhiyati tasviridagi badiiy mahorati, uslubiy qirralari,badiiy usullari tadqiq qilingan.

Русский

В данной статье раскрываются художественные приемы изображения психологического состояния человека в современных арабских рассказах. С этой целью отобран ряд произведений таких современных арабских писателей, как Фуад ат-Текерли “Неизвестный шепот”, Мухсин Юсуф “Печаль”, а также Закария Тамера “Тюрьма”. В процессе анализа были изучены особенности художественного мастерства психологического анализa человека и   грани стилей данных писателей, а также исследованы средства художественной выразительности в рассказах.

№ Author name position Name of organisation
1 Muxiddinova D.Z. Dotsent, DSc Toshkent Davlat Sharqshunoslik Universiteti
№ Name of reference
1 1. Tamer, Z. (2001). The Thunder. Short stories. Arra’du. Qisas qasiratun. – Ar-Riad – 130 p. (In Arabic).
2 2. Yusuf, M.(1988).The sorrows of those days. Short stories. . Ahzan tilk al'ayaami. Qisas qasiratun. – Damask . – 170 p. (in Arabic)
3 3. Joraqulov, U. (2006). Scientific and literary articles. Ilmiy va adabiy makolalar. – Tashkent .Fan – 120 p. (in Uzbek)
4 4. Imomova, G. (1992) Mental sufferings: (Dialogue and monologue in mental imagery). Rukhiy iztiroblar: (Akliy tasvirdagi dialog va monolog). – Tashkent. – 78. (in Uzbek)
5 5. Normatov, U.(1986) The Revolution of the heart. Yurak inkilobi – Tashkent. Publishing house of literature and art named after G. Ghulam. – 105 p. (in Uzbek)
6 6. Saidova N.M. Features of the development of the Saudi realistic story in the second half of the twentieth century. Osobennosti razvitiya saudovskogo realisticheskogo rasskaza vo vtoroy polovine XX veka. International Journal of Multicultural and Multireligious Understanding. Germany, 2021. - 365p
7 7. Borev, Y. (2001). Theory of Literature. The Literary process.Teoriya literatury. Literaturnyy protsess. Moscow, Naslediye. – 450 p.(In Russian)
8 8. Umurov, H. (1983) The artistic psychology and Uzbek novels. Badiiy psikhologiya va uzbek romanlari.– Тashkent. Fan – 98 p. (In Uzbek)
9 9. Lipskaya, L.I.(2005) Preliminary discourse: functions of the preface in the modern novel. Predvaritel'nyy diskurs: funktsii predisloviya v sovremennom romane. Bulletin of Moscow State University. – Moscow, Philology, - No. 2. (9). – P. 97-116. (In Russian)
10 10. At-Takarli, F.(2005) Treasure of Illuminations. Stories. Kanz al'iida'ati. Qisas. – Damascus. – 120 p. archive.sakhrit.com (In Arabic).
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