This research article investigates the narrative strategies utilized in English and Uzbek folk tales and oral traditions. Through an examination of narrative structures, themes, and objectives, the study underscores the parallels and distinctions between these two cultural contexts. The research is underpinned by a comparative approach and incorporates diverse academic references to offer a thorough insight into how storytelling techniques influence and are influenced by cultural values and societal norms in both England and Uzbekistan.
This research article investigates the narrative strategies utilized in English and Uzbek folk tales and oral traditions. Through an examination of narrative structures, themes, and objectives, the study underscores the parallels and distinctions between these two cultural contexts. The research is underpinned by a comparative approach and incorporates diverse academic references to offer a thorough insight into how storytelling techniques influence and are influenced by cultural values and societal norms in both England and Uzbekistan.
| № | Muallifning F.I.Sh. | Lavozimi | Tashkilot nomi |
|---|---|---|---|
| 1 | Javlieva S.. | EFL teacher | Uzbekistan state world languages of university |
| № | Havola nomi |
|---|---|
| 1 | Bottigheimer, R. B. (2009). Fairy Tales: A New History. State University of New York Press. Fathi, H. (1997). Women and the Family in the Middle East: New Voices of Change. Austin: University of Texas Press. Holt, J. C. (1982). Robin Hood. Thames and Hudson. Hunt, T. (2015). The Story of Britain: From the Romans to the Present: A Narrative History. St. Martin's Press. Hutton, R. (1996). The Stations of the Sun: A History of the Ritual Year in Britain. Oxford University Press. Propp, V. (1968). Morphology of the Folktale. University of Texas Press. Reichl, K. (2007). Singing the Past: Turkic and Medieval Heroic Poetry. Cornell University Press. Seyidov, S. (1975). Nasreddin Hodja: The Turkestan Trickster. Asian Folklore Studies, 34(1), 19-37. Atayev, R. (1999) Afandi will never die. Shark, Tashkent. 1999 |