The following article deals with the concept analysis in the literary dialogue from the perspective of Cognitive and Cultural linguistics. Cognitive and Cultural linguistics are the modern trends of Linguistics as a result of the anthropocentric paradigm to language. In this approach, the interaction between the language and human is the main basis of this paradigm. Cognitive and Cultural Linguistics have their main notions as interdisciplinary branches of linguistic sciences and “concept” is considered as one of the basic notions of Cognitive and Cultural linguistics as well as being the core of attention of several interdisciplinary branches of linguistics. Different definitions were given to the notion of “concept”. The concept is formed through the individual’s emotional, physical, historical, personal, and social experience gained in the process of perceiving the world. Another definition representing the concept is that it is a complex mental entity as well as being a component of the conceptual world picture conceptually relevant either to the whole community or an individual linguistic personality. At present, several approaches to the notion of concept can be outlined. There are two approaches to the notion of concept: cognitive and cultural. According to the cognitive approach, the concept is the information about the world, what an individual or the community knows, suggests, and thinks about the objects of the world. According to the cultural approach, the concept is defined as a culture-specific and nationally oriented unit, a multifold mental structure consisting of national image-bearing and evaluative layers and characterized by emotional, expressive components and associative links. In this article, concepts Beauty and Love are analyzed according to the study with the notional, image-bearing, and evaluative layers. The conceptual features, which constitute the structure of the concept are revealed at each stage of the analysis in the article. In this regard, two concepts are analyzed according to dictionary definitions in the “notional” level. The image-bearing and evaluative layers are based on the features of the concept in the extracts of literary dialogues of the texts. Besides, the contextual analysis reveals the conceptual features, which are not found at the level of dictionary analysis and phraseological analysis.
The following article deals with the concept analysis in the literary dialogue from the perspective of Cognitive and Cultural linguistics. Cognitive and Cultural linguistics are the modern trends of Linguistics as a result of the anthropocentric paradigm to language. In this approach, the interaction between the language and human is the main basis of this paradigm. Cognitive and Cultural Linguistics have their main notions as interdisciplinary branches of linguistic sciences and “concept” is considered as one of the basic notions of Cognitive and Cultural linguistics as well as being the core of attention of several interdisciplinary branches of linguistics. Different definitions were given to the notion of “concept”. The concept is formed through the individual’s emotional, physical, historical, personal, and social experience gained in the process of perceiving the world. Another definition representing the concept is that it is a complex mental entity as well as being a component of the conceptual world picture conceptually relevant either to the whole community or an individual linguistic personality. At present, several approaches to the notion of concept can be outlined. There are two approaches to the notion of concept: cognitive and cultural. According to the cognitive approach, the concept is the information about the world, what an individual or the community knows, suggests, and thinks about the objects of the world. According to the cultural approach, the concept is defined as a culture-specific and nationally oriented unit, a multifold mental structure consisting of national image-bearing and evaluative layers and characterized by emotional, expressive components and associative links. In this article, concepts Beauty and Love are analyzed according to the study with the notional, image-bearing, and evaluative layers. The conceptual features, which constitute the structure of the concept are revealed at each stage of the analysis in the article. In this regard, two concepts are analyzed according to dictionary definitions in the “notional” level. The image-bearing and evaluative layers are based on the features of the concept in the extracts of literary dialogues of the texts. Besides, the contextual analysis reveals the conceptual features, which are not found at the level of dictionary analysis and phraseological analysis.
| № | Muallifning F.I.Sh. | Lavozimi | Tashkilot nomi |
|---|---|---|---|
| 1 | ABDUGAFFAROVA G.. | UZBEKISTAN STATE WORLD LANGUAGES UNIVERSITY | Uzbekistan State World Languages University |
| № | Havola nomi |
|---|---|
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