Qarakhanid wall paintings have been unearthed from 2000 to 2004 by Yury Karev,
member of the French-Uzbek archaeological mission in Sogdiana (MAFOUZ-Sogdiane)
1
,
on the Afrasiab site which is the location ofancient Samarkand before the Mongol invasion.
Qarakhanid wall paintings have been unearthed from 2000 to 2004 by Yury Karev,
member of the French-Uzbek archaeological mission in Sogdiana (MAFOUZ-Sogdiane)
1
,
on the Afrasiab site which is the location ofancient Samarkand before the Mongol invasion.
| № | Muallifning F.I.Sh. | Lavozimi | Tashkilot nomi |
|---|---|---|---|
| 1 | Reutova .. | Ilmiy xodim | O'zR FA Arxeologiya instituti |
| 2 | Fray .. | Ilmiy xodim | Centre Nationale de Recherches Scientifique (France) |
| № | Havola nomi |
|---|---|
| 1 | Birstein V.On the Technology of Central Asia Wall Painting : the problem of binding media // Studies in Conservation. Vol.XX, n°1, février 1975 |
| 2 | Bliakher Adelia, Forminykh Vera.Conservation and restoration of monumental painting from archaeological excavations, Mural Paintings of the SilkRoad : Cultural Exchanges Between East and West, Proceedings of the 29th Annual International Symposium on the Conservation and Restoration of Cultural Property, National ResearchInstitute for Cultural Properties, Tokyo, (January 2006), 2007, p. 152–156. |
| 3 | Brajer Isabelle.Pressure, heat and humidity treatments for detached wall paintings // Triennal Meeting (12 th ) ICOM, Lyon (29 août – 3 septembre 1999), Prepints, vol 2, London, 1999, p. 461-465. |
| 4 | Coutelas Arnaud.Etude pétroarchéologique des couches de support des peintures murales de Samarkand (Ouzbékistan), Afrasiab, pavillon Qarakhanide, XII-XIII° sc., juin 2009 et mai 2010 (non publié). |
| 5 | Cristini Odile.Samarkand : analyses des peintures murales, Laboratoire de spectrochimie et d’Infra-rouge Raman (UMR 8516 CNRS – USTL), 2008 et 2009, (non publié) |
| 6 | Hanna S.B., Dinsmore J.K.Conservation of Central Asian Wall Painting Fragments from the Stein Collection in the British Museum // The Conservation of Wall Paintings, Proceedings of a Symposium organized by the Courtauld Institute of Art and the Getty Conservation Institute (Londres, 13-16 Juillet 1987), J. P. Getty, Trust, 1991, p77-86. |
| 7 | Karev Yuri.Un cycle de peintures murales d’époque Qarakhanide (XII – XIII ème sc.) à la citadelle de Samarkand : le souverain et le peintre. Académie des inscriptions & des belles lettres, comptes-rendus des séances de l’année 2003, novembre-décembre, Paris, Diffusion de Broccard, 2003, p.1685-1730 |
| 8 | Karev Yuri.Qarakhanid wall paintings in the citadel of Samarqand : first report and preliminary observations // Muqarnas : an Annual on the Visual Culture of the Islamic World, vol. 22, Leiden – Brill, 2005, p.45-84. |
| 9 | Kim Y.M. et Kang H.T.Conservation treatment for the wall paintings of Central Asia possessed by the National Museum of Korea // Mural Paintings of the Silk Road : Cultural Exchanges Between East and West, Proceedings of the 29th Annual International Symposium on the Conservation and Restoration of Cultural Property, National Research Institute for Cultural Properties, Tokyo, (January 2006), 200 |
| 10 | Kossolapov A.J., Marshak B.I.Murals along the Silk Road. Saint Pétersburg, Formika, 1999 |
| 11 | Miller Eric G., Nicholas J. Lee, Diane R. Ellam.Remounting and Conservation of Archaeological Wall Paintings at the British Museum // Recent Advances in the Conservation and Analysis of Artefacts, Institute of Archaeology Jubilee Conference, London, Summer School Press, 1987, p.289-295 |
| 12 | Шейнина Е.Г., Винокуроба М.П. Методика реставрации монументальной живописи из археологи-ческих раскопок. Эрмитаж, Санкт-Петербург, 2002 |