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Maqolada Turkiston o‘lkasida dastlabki drama janr asosida taraqqiyparvar Mahmudxo‘ja Behbudiy tomonidan yozilgan “Padarkush” asarining paydo bo‘lishi va uning boshqa o‘nlab jadid dramalarining yaratilishiga asos bo‘lganligi ko‘rsatiladi. Asar jadid dramaturgiyasining paydo bo‘lishi, shakllanishida asosiy omil bo‘lib xizmat qildi. Maqolaning maqsadi “Padarkush”da ko‘tarilgan ma'rifatparvarlik g‘oyasining orqasidan jadid dramalarida ushbu mavzuning muammo sifatida olib chiqilishi o‘quvchiga yetkaziladi.

  • Internet havola
  • DOIhttps://doi.org/10.56292/SJFSU/vol28_iss3/a27
  • UzSCI tizimida yaratilgan sana 03-10-2022
  • O'qishlar soni 707
  • Nashr sanasi 23-09-2022
  • Asosiy tilO'zbek
  • Sahifalar143-150
Ўзбек

Maqolada Turkiston o‘lkasida dastlabki drama janr asosida taraqqiyparvar Mahmudxo‘ja Behbudiy tomonidan yozilgan “Padarkush” asarining paydo bo‘lishi va uning boshqa o‘nlab jadid dramalarining yaratilishiga asos bo‘lganligi ko‘rsatiladi. Asar jadid dramaturgiyasining paydo bo‘lishi, shakllanishida asosiy omil bo‘lib xizmat qildi. Maqolaning maqsadi “Padarkush”da ko‘tarilgan ma'rifatparvarlik g‘oyasining orqasidan jadid dramalarida ushbu mavzuning muammo sifatida olib chiqilishi o‘quvchiga yetkaziladi.

Русский

В статье показано появление произведения «Падаркуш», написанного сторонником просвещения и развития Махмудходжей Бехбуди на основе первого драматического жанра в Туркестанском крае, и оно является основой для создания десятков других современных джадидских драм. Произведение послужило главным фактором возникновения и становления современной джадидской драматургии. Цель статьи – донести до читателя проблему этой темы в современных драмах, следуя идее просветительства, поднятой в «Падаркуше».

English

The article shows the emergence of the work "Padarkush" written by Mahmudkhoja Behbudi, a supporter of enlightenment and development, based on the first dramatic genre in the Turkestan region, and it is the basis for creating dozens of other modern jadid dramas. The work served as a major factor in the emergence and formation of modern Jadid dramaturgy. The purpose of the article is to bring to the reader the problem of this topic in modern dramas, following the idea of enlightenment raised in "Padarkush".

Muallifning F.I.Sh. Lavozimi Tashkilot nomi
1 Avazov N.. 1 University of Uzbek Language and Literature
Havola nomi
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