Maqolada ijod psixologiyasini ijodkorlarning adabiy-estetik qarashlari orqali tadqiq etish nazarda tutilgan. Unda Nazar Eshonqulning ijod psixologiyasi, ijod va ijodkorlik, adabiyot va badiiy ijodning jamiyat ma’naviy olami hamda ilmiy hayotdagi roli yuzasidan adabiy-estetik qarashlari yoritilgan. Tadqiqotda germenevtik va biografik metodlar, tasviflash, qiyoslash, sharhlash usullari vositasida ijodkor inson – yozuvchining ijodiy tafakkuri, olamni badiiy-estetik idrok etish tamoyillari o‘rganilgan. Salmoqli ijodiy tajribaga ega ijodkor Nazar Eshonqulning ijod tabiati haqidagi falsafasi asosida muallifning ruhiy olami, shaxsiyatiga doir fikr va xulosalar berilgan. Jumladan, muallif asarlarida tasvirlangan musavvir obrazi va uning badiiy-estetik funktsiyasi, ijodkor inson obrazi tasviridagi uslubiy xoslanish masalalari yuzasidan fikrlar bildirilgan. Shuningdek, Nazar Eshonqulning “Mendan “men”gacha” asaridagi ijod psixologiyasiga doir fikrlar qiyosiy-tahliliy o‘rganilgan. Muallif tomonidan badiiy ijodga berilgan tavsiflar asosida ijod falsafasi sharhlangan. Ijod va ijodkor inson tabiati, ijodning badiiy-falsafiy asoslari, hayot haqiqatining badiiy haqiqatga aylanish tamoyillari o‘rganilgan. Jahon adabiyoti namoyandalarining ijodidan tahlillar asosida ijodkor insonning ruhiyatini kashf etish yo‘lidagi izlanishlar tadqiq etiladi.
Maqolada ijod psixologiyasini ijodkorlarning adabiy-estetik qarashlari orqali tadqiq etish nazarda tutilgan. Unda Nazar Eshonqulning ijod psixologiyasi, ijod va ijodkorlik, adabiyot va badiiy ijodning jamiyat ma’naviy olami hamda ilmiy hayotdagi roli yuzasidan adabiy-estetik qarashlari yoritilgan. Tadqiqotda germenevtik va biografik metodlar, tasviflash, qiyoslash, sharhlash usullari vositasida ijodkor inson – yozuvchining ijodiy tafakkuri, olamni badiiy-estetik idrok etish tamoyillari o‘rganilgan. Salmoqli ijodiy tajribaga ega ijodkor Nazar Eshonqulning ijod tabiati haqidagi falsafasi asosida muallifning ruhiy olami, shaxsiyatiga doir fikr va xulosalar berilgan. Jumladan, muallif asarlarida tasvirlangan musavvir obrazi va uning badiiy-estetik funktsiyasi, ijodkor inson obrazi tasviridagi uslubiy xoslanish masalalari yuzasidan fikrlar bildirilgan. Shuningdek, Nazar Eshonqulning “Mendan “men”gacha” asaridagi ijod psixologiyasiga doir fikrlar qiyosiy-tahliliy o‘rganilgan. Muallif tomonidan badiiy ijodga berilgan tavsiflar asosida ijod falsafasi sharhlangan. Ijod va ijodkor inson tabiati, ijodning badiiy-falsafiy asoslari, hayot haqiqatining badiiy haqiqatga aylanish tamoyillari o‘rganilgan. Jahon adabiyoti namoyandalarining ijodidan tahlillar asosida ijodkor insonning ruhiyatini kashf etish yo‘lidagi izlanishlar tadqiq etiladi.
Статья посвящена изучению психологии творчества через литературно-эстетические воззрения творцов. В ней освещаются литературные и эстетические взгляды Назара Эшонкула на психологию творчества, креативность и созидательность, роль литературы и художественного творчества в духовном мире и в научной жизни общества. В исследовании изучаются принципы творческого мышления творческой личности – писателя, художественно-эстетическое восприятие мира с помощью герменевтических и биографических методов, методов описания, сравнения, интерпретации. Основываясь на философии Назара Эшонкула, творческой личности со значительным творческим опытом, даются мнения и выводы о духовном мире, личности автора. В частности, были высказаны мнения по вопросам образа живописца, описанного в произведениях автора, и его художественно-эстетической функции, методологической характеристики в образе творческой личности. Также были изучены сравнительно-аналитические мнения о психологии творчества в произведении Назара Эшонкула "От меня до меня". На основе описаний, данных автором художественному творчеству, интерпретируется философия творчества. Были изучены творчество и творческая природа человека, художественные и философские основы творчества, принципы преобразования реальности жизни в художественную реальность. На основе анализа работ представителей мировой литературы ищучаются исследования на пути раскрытия психологии творческой личности.
The article envisages researching the psychology of creativity through literary and aesthetic views of creators. In it, Nazar Eshanqul's literary and aesthetic views on the psychology of creativity, creativity and creativity, the role of literature and artistic creativity in the spiritual world of society and scientific life are highlighted. In the research, the creative thinking of a creative person - the writer, the principles of artistic-aesthetic perception of the world were studied by means of hermeneutic and biographical methods, methods of description, comparison, interpretation. Based on the philosophy of Nazar Eshanqul, a creator with considerable creative experience, opinions and conclusions about the spiritual world and personality of the author are given. In particular, opinions were expressed regarding the image of the artist depicted in the author's works and his artistic-aesthetic function, stylistic features in the image of the creative person. Also, the thoughts on the psychology of creativity in Nazar Eshanqul's work "From Men to "I"" were studied comparatively and analytically. Based on the description given by the author to the artistic creation, the philosophy of creation is interpreted. Creativity and creative human nature, artistic-philosophical foundations of creativity, the principles of turning the reality of life into an artistic reality have been studied. Based on the analysis of the works of the figures of world literature, research on the way to discover the psyche of a creative person is researched.
№ | Muallifning F.I.Sh. | Lavozimi | Tashkilot nomi |
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1 | Familiya G.M. | 1 | Fergana State University |
№ | Havola nomi |
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1 | 1. Ilin Ye.P. Psixologiya tvorchestva, kreativnosti, odarennosti. –Piter, 2009. – S.20-21. (Ilin Ye.P. Psychology of creativity, creativity, creativity. - Peter, 2009. - P.20-21). |
2 | 2. Normatov U. Ijodkorning haroratli so‘zi . –T.: Turon zamin ziyo, 2015. – 320 b. (Normatov U. Warm words of the artist. - T.: Turon zamin ziya, 2015. - 320 p) |
3 | 3. Nazar Eshonqul. Mendan “men”gacha. –T.: Akademnashr,. –B. 78. (Nazar Eshanqul. From me to "I". - T.: Akademnashr,. -B. 78). |
4 | 4. Muhammadjonova G. Mustaqillik davri o‘zbek nasrida ijodkor inson kontseptsiyasi. Farg‘ona, Classic. 2022. (Muhammadjonova G. The concept of a creative person in Uzbek prose of the era of independence. Fergana, Classic. 2022). |