Artistic and visual expression of the concept of love in Uzbek and Indian cinema in different periods

System is running in test (TEST) mode! For inquiries contact @slib_support

Go to old version link

31 Mart 2026

Main language:Uzbek

Artistic and visual expression of the concept of love in Uzbek and Indian cinema in different periods

Field of Science:General Arts and Humanities

10._O_zbek_va_Hind_kino....pdf

PDF

Bulletin of the Uzbekistan State Institute of Arts and Culture

Publish Article see more

ARTICLE ANNOTATION

This article, using comparative, semiotic, narrative, and visual analysis, examines the artistic content and visual representation of the concept of love in Uzbek and Indian cinema of various periods. The study aims to identify the emotional transformation of romantic images against the backdrop of socio-cultural changes. The emotional manifestations of love images, their narrative structure, and visual solutions are analyzed. As a result, new layers of meaning are substantiated that have formed in the poetics of the romantic image.

AUTHORS

X.Alijonov

"O‘ZBEKISTON DAVLAT SAN'AT VA MADANIYAT INSTITUTI" DAVLAT MUASSASASI

Article Identifiers

ROI:

https://eroi.uz/11.24/A026-292389

DOI:

Not Available

References

Madhava M. P. Ideology of the Hindi Film a historical construction. – New Delhi: First published, 1998. – 253 p.

Dwyer R. Bollywood’s India: Hindi cinema as a guide to modern India. – London: Reaktion books, 2014. – 296 p.

Mishra V. Bollywood Cinema: Temples of desire. – London: Psychology press, 2001. – 320 p.

Adams P. Visionary Film: The American Avant-Garde, 1943–2000. – New York: Oxford university press, 2002. – 446 p.

Bordwell D. Narration in the Fiction Film. – New York: The University of Wisconsin press, 1985. – 359 p.

Lotman J. Semiotics of Cinema. – New York: University of Michigan, 1981. – 106 p.

Mulvey L. Visual Pleasure and Narrative Cinema. – New York: Oxford university press, 1975. – 816 p.

Базен А. Что такое кино? – Москва: Искусство, 1972. – 382 с.

Эйзенштейн С. Изобранные произведения. В 6-ти томах. – Москва: Искусство, 1964–1971. – 304 c.

Балаш Б. Кино: Становление и сущность нового искусства. Пер.с нем. – Москва: Прогресс, 1968. – 328 с.

Artistic and visual expression of the concept of love in Uzbek and Indian cinema in different periods

Bulletin of the Uzbekistan State Institute of Arts and Culture

ARTICLE ANNOTATION

AUTHORS

Tags

SIMILAR ARTICLES

OTHER ARTICLES IN THIS JOURNAL

Rate Article

Article Identifiers

References