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Mavjud emas
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Barnes J. The Sense of an Ending, US: Vintage, 2012, 168 p.
Callus I. “There is great unrest”: Some Reflections on Emotion and Memory in Julian Barnes’s Nothing to Be Frightened of and The Sense of an Ending, Prague Journal of English Studies, Volume 1, No. 1, 2012, рр. 55-70
Dalrymple J. The Sense of an Ending by Julian Barnes: a ‘forensic memoir’. Hal open science, 2014, рр. 1–14, URL: https://hal.science/hal01885429/document
Heydarzadegani N. Deceptive Re-narration and Self-Justifying Narrative in Julian Barnes’ The Sense of an Ending. Journal of Narrative and Language Studies. Volume 7, No.13, 2019, рр. 152–161.
Higdon L. D. Unconfessed confessions: the narrators of Graham Swift and Julian Barnes. In: Acheson, James (ed.) The British and Irish Novel Since 1960, NY.: St. Martin’s Press, 1991, рр. 174–191.
Hill. R.R. The Never Ending Confession. The Confessional Mode in two novels by Mempo Giardinelli. Thesis, Brigham: Young University, 2015, 70 p.
Maji Dr. P. Eros, Thanatos and Existential Progression in Julian Barnes’ the Sense of an Ending the Criterion: An International Journal in English. Volume 9, Issue-II, 2018, рр. 232–238.
Maji Dr. P. Existential Progression and the Motive of Sisyphus in Julian Barnes’ the Sense of an Ending. Epitome: International Journal of Multidisciplinary Research. Volume 4, Issue 5, 2018. 25-31.
Mishra K. Age, Memory and Identity in Julian Barnes’ the Sense of an Ending. The Criterion: An International Journal in English. Volume 12, Issue I, 2021. 260-266.
Mohan A. The Non-linearity of Time, Memory and History in Julian Barnes’ The Sense of an Ending. Quest Journals. Journal of Research in Humanities and Social Science, Volume 6, Issue 12, 2018, рр. 59–62.
Ningrum F. The Main Character’s Ego Development in Julian Barnes’ The Sense of an Ending. Thesis, Nigeria, 2022, 66 p.
Paynel O. Serious about being serious: History and the claims of memory in Julian Barnes’ the Sense of an Ending. Stet an online postgraduate research journal. King’s College London. 2014. 1-17
. Quronov D., Z. Mamajonov., M. Sheraliyeva. Adabiyotshunoslik lug’ati, Tashkent, 2010.
Rossi A. Memory, Truth and Differance in Julian Barnes’s The Sense of an Ending. Iperstoria — Testi Letterature Linguaggi. Issue 8, 2016, pp. 171-184.
Saeed B. Psychological Character Interpretation of Tony in Barnes’ the Sense of an Ending. International Journal of English Language Studies. No. 2, 2022, pp. 22-35. DOI: 10.32996/ijels.2022.4.2.3
Taniyan B. Denying the Narrator: Julian Barnes’s The Sense of an Ending. English Studies: New Perspectives. Cambridge Scholars Publishing, UK, 2015, 373 p.
Tseng C.C.M. Memory Made, Hacked, and Outsourced. How the 21st Century Anglophone Novels Remember and Forget, Taiwan: Palgrave Macmillan, 2023, 152 p.
Watson K.M. Philosophy and the confessional novel: A critical confession analysis, Doctor’s thesis, Purdue: Purdue University Graduate School, 2012, 229 p.
https://uz.wikipedia.org/wiki/Roviy
https://en.wikipedia.org/wiki/Confessional_writing#:~:text=Confessional%20writing%20usually%20involves%20the%20divulging%20and%20discussion%20of%20'shameful,memoir%2C%20and%20also%20epistolary%20narratives
archive.nytimes.com/www.nytimes.com/books/01/02/25/specials/barn es-chameleon.html